Bayan shekaru da yawa na zane-zane na yau da kullum, Stephen Edgar Bradbury ya zama kamar, a wannan mataki na rayuwarsa, ya zama ɗaya tare da zaɓaɓɓen horo na fasaha. Sana'arsa, da farko zanen graphite akan yupo (takarda maras itace daga Japan wanda aka yi da polypropylene), ya sami karɓuwa sosai a ƙasashe na kusa da nesa. Za a gudanar da baje kolin ayyukansa a Cibiyar Kula da Ruhaniya har zuwa 28 ga Janairu.
Bradbury ya ce yana jin daɗin yin aiki a waje kuma koyaushe yana ɗaukar kayan aikin rubutu da faifan rubutu tare da shi yayin yawo da balaguro.
“Kyamarorin suna da kyau, amma ba sa ɗaukar cikakken bayani kamar yadda idon ɗan adam zai iya. Yawancin aikin da nake yi shine zane-zane na mintuna 30-40 da aka yi akan tafiye-tafiye na yau da kullun ko balaguron waje. Ina yawo, duba abubuwa… “Lokacin da na fara zane kenan. Na yi kusan kowace rana kuma na yi tafiya mil uku zuwa shida. Kamar mawaƙa, kuna buƙatar gwada ma'aunin ku kowace rana. Kuna buƙatar zane kowace rana don ci gaba, ”in ji Bradbury.
Littafin zane da kansa abu ne mai ban mamaki don riƙe a hannunka. Yanzu ina da littattafan zane kusan 20. Ba zan cire zanen ba sai dai idan wani yana so ya saya. Idan na kula da yawa, Allah zai kula da inganci. "
Ya girma a Kudancin Florida, Bradbury ya halarci Kwalejin Cooper Union a takaice a cikin 1970s. Ya karanci zane-zane da zanen Sinanci a Taiwan a shekarun 1980, sannan ya fara aikin fassara adabi kuma ya yi aiki a matsayin farfesan adabi na kimanin shekaru 20.
A cikin 2015, Bradbury ya yanke shawarar ba da kansa cikakken lokaci ga fasaha, don haka ya bar aikinsa ya koma Florida. Ya zauna a Fort White, Florida, inda kogin Ichetucknee ke gudana, wanda ya kira "daya daga cikin koguna mafi tsawo a duniya kuma daya daga cikin mafi kyawun sassan wannan kyakkyawan jihar," kuma bayan 'yan shekaru ya koma Melrose.
Ko da yake Bradbury wani lokaci yana aiki a wasu kafofin watsa labaru, lokacin da ya dawo duniyar fasaha an zana shi zuwa graphite da "duffa mai arziƙi da bayyananniyar silsilar da ke tunatar da ni fina-finan baƙar fata da dare mai haske."
"Ban san yadda ake amfani da launi ba," in ji Bradbury, ya kara da cewa ko da yake ya yi fenti a cikin pastels, ba shi da isasshen ilmi game da launi don yin fenti a cikin mai.
"Duk abin da na san yadda za a yi shi ne zane, don haka na kirkiro wasu sababbin dabaru kuma na mayar da raunina zuwa ga karfi," in ji Bradbury. Waɗannan sun haɗa da amfani da graphite mai launin ruwa, graphite mai narkewa da ruwa wanda idan aka haɗa shi da ruwa ya zama kamar tawada.
Baƙar fata da fari na Bradbury sun fito waje, musamman idan an nuna su kusa da wasu kayan, saboda abin da ya kira "ƙa'idar ƙarancin ƙarfi," yana mai bayanin cewa babu gasa da yawa a cikin wannan matsakaicin matsakaici.
“Mutane da yawa suna tunanin zanen graphite na a matsayin bugu ko hotuna. Ina da alama ina da wani abu na musamman da hangen nesa, ”in ji Bradbury.
Yakan yi amfani da goge-goge na kasar Sin da na'urori masu ban sha'awa irin su rolling fil, napkins, ƙwallan auduga, soso fenti, duwatsu, da dai sauransu don ƙirƙirar takarda na Yupo na roba, wanda ya fi son daidaitaccen takarda mai launi na ruwa.
“Idan ka sanya wani abu a kai, yana haifar da rubutu. Yana da wuyar sarrafawa, amma yana iya haifar da sakamako mai ban mamaki. Ba ya lanƙwasa lokacin da aka jika kuma yana da ƙarin fa'ida da za ku iya goge shi kuma ku fara farawa," in ji Bra DeBerry. "A Yupo ya fi kamar hatsarin farin ciki.
Bradbury ya ce fensir ya kasance kayan aiki na zabi ga yawancin masu zane-zane. Baƙar fata na fensir na “jagoranci” na yau da kullun ba gubar bane kwata-kwata, amma graphite, wani nau'i na carbon wanda ba kasafai ake samunsa ba cewa a Biritaniya ita ce kawai tushen kyakkyawan tushe na ƙarni, kuma ana kai wa masu hakar ma'adinai hari akai-akai. ba "guba" ba ne. Kar a yi fasakwaurinsa.
Bayan fensin graphite, ya ce, “akwai nau’ikan kayan aikin graphite da yawa, kamar su graphite foda, sandunan graphite da graphite putty, waɗanda na ke amfani da su don ƙirƙirar launuka masu duhu.”
Har ila yau, Bradbury ya yi amfani da goge-goge, almakashi, masu turawa, masu mulki, triangles da lankwasa ƙarfe don ƙirƙirar masu lankwasa, yin amfani da su ya sa ɗaya daga cikin ɗalibansa ya ce, "Dabaru ne kawai." Wani dalibi ya tambayi, "Me ya sa?" ba kya amfani da kyamara?”
“Girjigi shine abu na farko da na fara soyayya bayan mahaifiyata – tun kafin ‘yan matan. Yana nan lebur kuma gajimare suna canzawa koyaushe. Dole ne ku yi sauri sosai, suna tafiya da sauri. Suna da manyan siffofi. . Kallon su yayi sosai. Ni ne kawai a cikin wadannan filayen ciyawa, babu kowa a kusa. Ya kasance mai zaman lafiya da kyau sosai.”
Tun daga 2017, an baje kolin ayyukan Bradbury a cikin solo da nune-nunen nune-nunen rukuni a Texas, Illinois, Arizona, Georgia, Colorado, Washington, da New Jersey. Ya sami kyaututtuka mafi kyawun Nuna guda biyu daga Gainesville Fine Arts Society, wuri na farko a cikin nunin nunin a Palatka, Florida da Springfield, Indiana, da Kyautar Kyautar Fasaha a Asheville, North Carolina. Bugu da ƙari, Bradbury ya lashe lambar yabo ta PEN na 2021 don Waƙar Fassara. don littafin mawaƙin Taiwan kuma mai shirya fina-finai Amang, Wolves Reed by Wolves: Poems and Conversations.
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Lokacin aikawa: Satumba-22-2023